Ogaki Festival 2017

The Ogaki Festival holds a tradition of more than 360 years and is famous for their 13 masterly-crafted festival floats. The festival is said to have originally began in the Keian era (1648) when the Hachiman Shrine, the shrine of the castle town’s patron god, was renovated by the feudal lord of the time: Ujikane Toda. The townspeople were so pleased that the ten different neighborhoods each made their own festival float and showed them off. This event is considered to be the very first festival. Today, the festival is conducted as a celebration for the beginning of summer.


The moment I stepped out of the station I instantly noticed that something in the air was different. This turned out to be from the excitement that was emanating from the crowds of people that were in attendance, wandering around the endless rows of festival stalls. The stalls, lining both sides of the street, started at the station and stretched all the way down to the castle park, and at a point about halfway down from the station they then branched off towards the Hachiman Shrine. Food stalls, game stalls, trinket stalls, alcohol stalls… there was everything you could possibly want.

One of the more popular booths. It is for Amezaiku, a hand-made candy that comes in the shape of people or animals.

A cat-shaped amezaiku. The colors are hand-painted by a craftsman using multiple dyes

I decided to start towards the Hachiman Shrine area, and found that the yama festival floats were still being put together. Since it had been raining until late that morning I suspect that the festival was running a little bit behind schedule. I took the opportunity to take a look at the floats up close. The intricate detail and craftsmanship of the floats was amazing.

You can only see the craftsmanship of the floats when you are up close.

If the aesthetics of the floats don’t impress you then the sheer size of them will. The 13 festival floats can be anywhere from four to six meters tall, and weigh one to four tons each (not including the staff that are in the floats operating the karakuri, or on the stage performing kabuki). Seeing these floats up close and towering over you alone is worth the trip to the festival.

Maneuvering the floats around the crowded, cramped streets and bridges was a feat that was only possible through lots of practice and  teamwork. Each float came with an escort from its respective neighborhood community that included float pushers, guides, flute players, and other personnel. Each neighborhood association had their own distinct uniform that distinguished them from other groups.

After taking a look at the festival floats I decided to wander to the Hachiman Shrine and see what was there. Even in the shrine’s grounds were festival stalls jammed into each nook and cranny available (there was even a haunted house).

After passing through the initial stone torii, a traditional gate found in Japanese shrines, there was a natural water spring where you could find delicious, drinkable water. Using the funnels and scoops provided on one of the spring’s sides you could drink the water, or even fill a water bottle if you wanted to. Ogaki City is known as the “Water Capital,” and is famous for their many water springs and canals that run through the city. While locals have been drinking the pristine water from these springs since long ago, they are still open for visitors to come drink from so make sure to take a minute and sample some.

At 7:00pm the festival-float lanterns were lit (this only occurs on the first day of the festival), and the festival continued on into the night. Luckily for me I was able to find a spot in front of the Hachiman Shrine’s front torii, and watched the floats pass by one at a time. When they passed by the torii they stopped in order to perform either a karakuri marionette show, or children’s kabuki.

While the children’s kabuki was a treat to watch, my personal favorite was the karakuri marionette dolls. These dolls performed traditional Japanese folktales or other various feats such as writing “Congratulations Ogaki Festival for becoming an UNESCO Heritage” in real time with a brush and ink (in Japanese it was written with eight characters). The mastery of the karukuri dolls was impressive, and the shows were all very entertaining to watch.

The karakuri marionette dolls performing calligraphy. Please ignore the quality of the picture, my phone doesn’t do to well at night

 

The festival came to a close shortly after 9:00pm, which was good because I was tuckered out and ready to go home. If you didn’t get to make it to the festival this year then make sure to keep checking our Facebook page for information about next year’s festival, as well as other events that are happening in Gifu.

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